Learning Curve (VOY)

This is the way the season ends - not with a bang, but a... bottle show? It is true that "Learning Curve" is the final installment of Voyager's first season. And while not terrible, it doesn't exactly leave me clamoring for more. First off, it's a Tuvok episode. On a show with a lot of relatively bland characters, Tuvok takes the blandness to an entirely new level. This would be very well and good if the episode focused on some flaw in Tuvok that he had to work to overcome and, well, it sort of does, but the change feels incredibly forced and artificial. Tuvok doesn't really grow as a character, nor does he ever feel particularly vulnerable or easy to relate to. It doesn't help that the bland guest stars aren't so bland that they don't upstage Tuvok, either.

Let's back up a little. Remember the Maquis? We haven't really mentioned them since "State of Flux", but it turns out Seska isn't the only one who was having some trouble fitting in. Dolby, a bland white guy with a troubled past, Gerron, a surly Bajoran, Henley, a woman (seriously, that's all the characterization she gets) and Chell, a fat Bolian (is there any other kind?) are all having problems adjusting, so Janeway assigns Tuvok to give them a crash course in Starfleet discipline. It's frustrating to me that the white guy is the only one who gets any character development at all, as if the other three don't need personalities because they have the fact that they're aliens or women to make them identifiable.

The offending cheese.

The "cadets" are rude, insubordinate, obstinate, and proud. Tuvok is rigid, compassionless, and kind of a jerk until Neelix advises him to lighten up. Meanwhile, something has infected Voyager's bioneural circuitry, causing systems failures all over the ship. B'Elanna enlists the help of the Doctor, who can't find the source of the problem until Tuvok realizes its... cheese? I guess Neelix wanted to make cheese and the alien bacterial spores infected the gel packs? It seems odd to me that the writers, faced with an A-plot that feels like more of a B-plot, would write an B-plot that literally involved Voyager being endangered by cheese.

In order to solve the cheese-induced gel pack problem, Voyager has to turn the engines up super hot to kill the bacteria. Unfortunately, life-support goes out and this threatens to kill everyone on the ship. Even more unfortunately, everyone forgot to tell Tuvok and his cadets this, so they get trapped in an irradiated cargo bay and almost killed. But they work together to escape, and suddenly some how this makes everyone's problems go away. Or maybe not. It's hard to say because we never see Dolby, Henley, or Gerron again. (Chell apparently appears in one other episode.)

Okay, I lied at the beginning of my post. This actually was a terrible episode. The only redeeming factor of the entire forty-five minutes is that it contained the line "get the cheese to sickbay." That's it.

Random Observations:

Chakotay would probably be less bland if he punched people more often.

Gel Pack count: 45 (doubt we'll use that one again.)

Shouldn't the Starfleet dress code have an exception for the Bajoran earrings? They're a religious thing. But I guess we've never seen a Starfleet officer sporting a head scarf or a yarmulke either.

The Doctor talking to the Gel Pack was pretty funny. So was overheated Kes's death glare.

Chell is also featured in the Elite Force video game.

Kes gives the Doctor her "Are you fucking kidding me?" stare.

Cathexis (VOY)

Sometimes I feel like we're just kind of running through a checklist of overdone Star Trek plots, with a few truly original gems in the middle, and it makes me wonder why I love these shows so much. But then I realize that sitcoms and procedural reuse lots to exactly the same degree, and what it's about, when faced with an episode that seems totally unoriginal, is the characters. "Cathexis" gives us some fun interactions, and manages to put a little bit of a twist ending on the whole "brain-posessing alien" plot that makes the whole thing a little less predictable. The result is an episode that, while no one would call it strong, at least keeps us feeling like we're not wasting our time with the show.

In the teaser, Tuvok returns to the ship with a comatose Chakotay. Apparently they were attacked, and some kind of energy weapon was used to knock him out. The Doctor thinks he can restore Chakotay if he can find the weapon that did this, so they head for the nebula where the attack took place.

Unfortunately, Tuvok and Chakotay brought a stowaway along, an alien being that can possess crew members for short spans of time, and it seems determined to keep them from reaching the nebula. The crew battles the alien's sabotage, as well as the paranoia of knowing it could be in anyone at any time, until it is skillfully revealed that the consciousness possessing everyone isn't evil or alien - its Chakotay, and the actual alien has been possessing Tuvok all along.

The twist works, we see it coming but its not too obvious, and the climax is pretty exciting, but the episode on the whole doesn't offer a lot in the way of characterization or explanation of any deeper part of humanity. The idea of the alien making the crew turn against each other is cool, but not explored in enough detail, and other episodes have taken that tactic far more effectively. The most novel and interesting part is Chakotay's disembodiment, and how it interacts with his religious beliefs, but the show is too scared to delve particularly deeply into that part of his character, so it remains a tantalizing possibility.

There are some lovely moments between B'Elanna and Chakotay in this episode, even though Chakotay is unconscious for them, we get a great sense of how much she cares for him as a friend and mentor. The other relationship that really gets built up here is Janeway and the Doctor, as she makes the decision to entrust him with Voyager's command codes, showing a kind of trust that seems abrupt for someone she just weeks ago was still thinking of as hardware.

Random Observations:

The teaser scene with Janeway's Gothic Holonovel has no connection to the plot even thematically (I guess there is kind of a ghost theme in Gothic novels, but its a weak connection.) It seems like an attempt to feminize Janeway but it doesn't really work.

Kes's telepathy becomes relevant again, but the Tuvok alien is smart enough to shut her down before she can be helpful.

Tuvok is a pretty good choice for an alien to possess - its much easier to impersonate someone who shows very little emotion. It's sad that even Janeway can't tell her best friend is possessed until its too late.

They ejected the warp core, but we didn't see them have to go through the process of reinstalling it.

If phasers with wide beam dispersal are a thing, why don't they ever use them again?

Minor Character Watch: Lt. Durst plays a major role in one other episode, coming up very soon.

State of Flux (VOY)

            Star Trek and The Next Generation were both extremely episodic, designed for the casual viewer who watched maybe one or two episodes, maybe not in order. Deep Space Nine, on the other hand, is highly serial – episodes build on the events of previous ones, and its best watched as a complete project. Voyager tries to strike a balance between the two, and “State of Flux” is an episode where this experiment is in full effect. As such, it kind of has to be two different episodes, and it makes some sacrifices to achieve that end. I’m not sure it’s a complete success, but it’s certainly not a complete failure – it’s watchable, and exciting, and it introduces us to one of Voyager’s most memorable recurring villains.

            From an episodic standpoint, “State of Flux” falls a little bit flat. It’s trying to be a mystery story, but there’s no twist. Well, there is a twist, but it comes at the wrong point in the story to be effective. A good mystery story leaves you wondering who’s guilty until the end. I think even if I hadn’t been spoiled, I would never have suspected anyone but Seska. The scene where they interrogate Carey falls extremely flat, like the interrogators are talking to the audience and saying "look, it really could be this guy, see!"

Chakotay makes Carey squirm.

            There’s also some wonderful set up of Chakotay and Tuvok as partners – kind of the classic buddy-cop-movie pairing of the by-the-book cop and the loose cannon who doesn’t play by the rules. There’s even a little acknowledgement of the history between the two characters – Tuvok did gain Chakotay’s trust with the intention of betraying him, and that’s not something you forgive easily. These two needed an episode to get into this stuff, and I can’t help but feel they got shortchanged.

            So a little more time could have made this episode a much better mystery and a better Tuvok/ Chakotay story. Where did that time go instead? It went to developing Seska as a character and making us care about her betrayal. It went to establishing her relationship with other characters like B’Elanna and Chakotay. All of this is extremely important when we realize that Seska is going to be Voyager’s nemesis for the next two seasons. The fact that she lived and worked with these people, that she and Chakotay were lovers, makes her a much more interesting villain. But all of this could have been built up slowly over several episodes.

            Or State of Flux could have been Voyager’s first two-parter. It had enough going on to justify one, and the stakes were high enough. But I understand the writer’s not wanting to take the risk. Two-parters tend to be heavy on the action, which this episode was not. But I can’t help but feel there were a lot of missed opportunities.

But Seska makes Chakotay squirm even more.

            The serial aspect of the episode is more of a success. I especially like how much it draws on not only Voyager’s past, but Star Trek’s as well. On the one hand, we have the most recent past – in the previous episode, both Seska and Joe Carey showed they were willing to bend the Prime Directive to get Voyager home. Now that a more serious breach is committed, making them the primary suspects is excellent payoff for that episode. Going back to the pilot, we see the Kazon make good on their promise to “make Voyager rue the day”, and we see the horrible effect of ignoring the prime directive and giving them technology.

            But what really works for me is the reveal that Lt. Seska is a Cardassian sleeper agent. A Cardassian is the perfect villain not only from a plot standpoint (it makes perfect sense for them to have put a spy on a maquis ship) but also from a psychological standpoint. The Cardassians work as villains on Deep Space Nine because of the stark contrast that their militaristic, collectivist culture poses to the Federation. When you think about what we know about Cardassian psychology, Seska’s actions up until this point make sense. She wants to get home. She’s willing to break rules and make back-handed deals to do it. She also has the Cardassian penchant for speechifying, which helps immensely.

            Seska is not often mentioned when the great villains of Star Trek are recounted – if Janeway has an iconic nemesis, it’s probably Susanna Thompson’s borg queen. But at this point, she has all the hallmarks of being truly memorable, and she really never stops being a thorn in the Captain’s side, even seasons after her death. I’m looking forward to seeing her reign of terror continue to develop, and seeing how Chakotay takes this ever-increasing tide of betrayal.

Random observations:

Seska and Chakotay’s banter is nice. The whole “Mushroom soup” scene did an excellent job of showing how awkward Chakotay’s position is as first officer and Maquis liason.

I hope the gross leola root becomes a running gag. Incidentally, it looks like someone shellacked a piece of ginger.

B’Elanna doesn’t use Scotty’s patented Chief Engineer exaggeration technique. If she says it will be done tomorrow, it will be done tomorrow.

The scene with Tuvok and Chakotay playing gin during the stake-out was amazing. I want to see more little slice-of-life-on-Voyager moments.

Tom Paris hasn’t been involved in a plotline in a while.

Maj Cullah just makes hairdressers squirm.

Maj Cullah is probably even less memorable as a recurring villain than Seska, but I should probably note that we meet him for the first time in this episode.

Despite all the bluffing back and forth, no shots are actually fired in space (no torpedoes expended)

No fatalities, but we can definitely count Seska as a lost crew member.

Prime Factors (VOY)

            Most of the time, when aliens are really ridiculously friendly and also pretty and only want to help the crew, it is because they are secretly trying to eat us or involved in some kind of mind-control plot. “Prime Factors” subverts that expected twist – the Salcarans genuinely are as nice as they say they are, pretty much. Ultimately, though, Voyager’s crew gets greedy and screws things up, and in the process B’Elanna finds her loyalty tested.

Lunch room gossip.

            The opening of this episode really captures that “family” feeling that made late TNG so watchable. Tom, B’Elanna, and ascended redshirt Lt. Seska are teasing Harry about a disastrous date he had with Jenny Delaney. Seska calls out that “there are no secrets on a ship this small” and we are happy to see a lighter side of life in the Delta Quadrant. Eavesdropping from a nearby table, Janeway and Tuvok are happy to see Starfleet and Maquis crew members finally coming together.

            Which of course cues us in that that bond is about to be challenged. It’s smart to make Harry and B’Elanna the focus of this episode, because their relationship has been a symbol of the integration of the crews thus far. But I’m getting ahead of myself.

Voyager receives a personal invitation from the overwhelming hospital but hedonistic (and inexplicably French) Salcarans. The Salcarans offer the crew shore leave, edible plants for their hydroponics bay, new clothes, etc. They even throw a big party for the crew, and it  looks like  both Harry and the Captain are about to get lucky. But then Harry ruins everyone’s sexytimes when he discovers that the Salcarans have the technology to send Voyager halfway home.

Remember the Prime Directive? The one where we don’t interfere with the development of other civilizations? Where we’re not allowed to share technology? Turns out the Salcarans have it too, and as Janeway points out, it’s not so fun to be on the other side. Still, Janeway is not about to get her crew home by violating the laws of another civilization, so she sets about trying to change the Salcarans’ minds.

The person most likely to screw up Harry Kim's love life.

Which brings us back to our two Junior officers, both of whom face temptation. Harry, the young, impressionable rules-follower, is also the one who most desperately wants to get back to his family. Also, his new Salcaran girlfriend happens to have the black market connections that could get him the technology. B’Elanna, who was all for screwing over the Ocampa to get home back in “Caretaker”, is now in a position of leadership and doesn’t want to betray her Captain’s trust. But she, along with Seska and Joe Carey, has the engineering knowledge to use it.

            It’s great to see these characters conflicted on so many axis – desire to get home, duty to their Captain, observance of Starfleet principles – and their decisions are all in-character and believable. The real twist comes when Tuvok discovers the plot and, rather than turning the mutineers in, covers for them. His rationale – that he knew Janeway wouldn’t be able to defy her principles so he was saving her the decision – is rationale. It’s actually very Vulcan, to be willing to bend principle when it makes logical sense to do so, and his final scene with Janeway works because of the relationship that’s built up between the two.

The dressing down.

            Lots of characters barely appear in this episode – Paris, Kes, The EMH, and CHakotay are all mostly absent. But that gave the writers a chance to really let Janeway, Tuvok, B’Elanna and Harry work through this problem in their own ways. And that’s where this episode shines. Voyager is more full of strong personalities than the Enterprise ever was, and it’s at its strongest when those personalities get to clash a little. Janeway is a mother to her crew, but sometimes you disagree with your mother and you act out, and then you have to deal with the fact that you betrayed someone who cares about you. Janeway sees Tuvok as a mentor. She sees Harry as a son. She’s not sure whether to see B’Elanna as both a pupil or an antagonist, but Kate Mulgrew and Roxanne Dawson have great chemistry so I want to see those sparks fly over and over again.

The ending – we steal the technology, but it’s not compatible with ours and doesn’t work – is a bit of a cop-out. It’s the Gilligan’s Island principle, of course, in that if Voyager gets home there’s no show. But I don’t think the episode is undermined. On the contrary, I think it’s the strongest episode yet – it has a compelling conflict, the tension builds effectively, and the characters actually develop.

Random Observations:

Minor Character Watch:

Seska gets a name and a brother back home who’s birthday she’s missing.

Joe Carey has a wife and kids back home himself, and he’s more ethically flexible than we thought. He also seems to be adjusting well to being B’Elanna’s subordinate.

Jenny Delaney gets name-dropped again as the girl Harry will never make it with.

I love the fact that the Salcarans use stories as currency.

The Salcaran ship does not look like a recycled model. The set of their ballroom, on the other hand, is definitely a redress of the Professor’s house from Ex Posto Facto.

Discussion question: Is Harry Kim Wesley Crusher done right?

That climax sure had a lot of technobabble in it.

I’m gonna go ahead and guess that the reason Tom Paris wasn’t involved in the episode after the first scene is that he was out there nailing as many Salcaran chicks as possible.

Ex Post Facto (VOY)

            So, out of sheer coincidence, both TNG and Voyager’s seventh episodes revolve around a crew member being put on trial on an alien world. Fortunately for me, Voyager manages to make a solid, entertaining hour of television from that premise, while TNG made “Justice”.

            Tuvok has been a background character for a while now, and while “Ex Post Facto” doesn’t give us a huge amount of insight into who he is as a person, it does at least give him an opportunity to do his job as a security chief, and show that while he’s no Odo, he’s at least a much better cop than Worf. When you think about it, investigator is such a totally natural role for a Vulcan, it’s a wonder it’s taken us this long to see one in it (though the role did fall to Spock a few times, notably in The Undiscovered Country.)

            Tom gets the secondary focus in the episode, and while his impulsiveness and relative lack of discipline continue to cause problems for Captain Janeway, ultimately his role in this episode is mostly as the damsel in distress, which doesn’t give him a lot of time to shine. My biggest regret is that the episode didn’t spend just a little more time reflecting on the nastiness of the Benean’s penalty for murder (an implant that makes the perpetrator relive the victims last few minutes every fourteen hours.) It would have given the episode a little more of a sci-fi bent and given Tom more of a chance to do some acting. As it is, he manages to make his romance with Lidel at least a little bit believable, and we get a nice last scene between him and Tuvok.

            But the episode is intended as a whodunit, and in that vein, it succeeds better than most Star Trek episodes that share that premise. Tuvok, like Sherlock Holmes, is a master of logic and deduction, and like a Sherlock Holmes story, the episode gives us enough hints to try and solve it ourselves. The twist at the end, that Tom wasn’t the target at all and all of this was just a complicated way of smuggling some data to the Numiri, is a little bit of a stretch, but not enough to break my suspension of disbelief.

Along the way, the threat of the Numeri provides the opportunity for a couple space battles, which gives B’Elanna and Chakotay a chance to shine. It's a nice reminder that even though the crews have integrated, the Maquis still aren't afraid to break the rules to get things done. This, combined with Kes and the Doctor’s efforts to slow down Paris’s brain deterioration, gives pretty much the entire supporting cast something to do – no small task on a show with seven regulars. All in all, a solid, fun, exciting hour of Star Trek.

Random Observations:

I admire the costuming department for giving the Beneans a little more of a unique feel than the typical alien civvies Star Trek is so fond of, especially Lidell’s 1920’s style cigarette holder, which evoked a kind of retro sexiness. Little details like that really help sell the world the episode establishes.

The banter between Janeway and Chakotay during the space battles is cute! I don’t think I’ve seen those two have chemistry before.

Kes attempting to convince the Doctor he has free will is a really great scene. They remain my two favorite characters right now.

Tuvok is over a hundred years old. He must feel like he’s on a ship full of children. It’s a miracle he lets the Doctor (who’s technically a few months old) talk down to him.

Janeway’s mama bear attitude whenever one of her crew is threatened is becoming her defining characteristic. Her bluffing the Numiri patrols was incredibly badass, though.

Harry's main role in this episode is to get tortured - if Jonah's theory about Sulu is correct, Star Trek really doesn't like Asian people.

No fatalities.

No shuttlecraft lost (they were ready to blow one up, though.)

Photon torpedo count – still 37. They got out of that battle without firing any.